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Olaf Peters, coordinator for this Neue Galerie’s event Otto Dix, dubbed Portrait of the Dancer Anita Berber “the image from the Weimar Republic,” when non-stop revelry had been a remedy needed for war time ruin. This Weimar Republic bridged the period in between WWI loss until the advance of Hitler’s Third Reich. It had been an incongruous time period of hyperinflation, insurrection as well as decadence, yet moreover involving German cultural renaissance. Otto Dix brushed Anita Berber’s spectacular portrait which occurs upon these advertising banners in the course of this era involving cultural liberalization.
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Critical about fashionable German culture, Dix’s art zeroed in upon hatred, prostitution, warfare, fatality, as well as erotic homicide. Anita Berber had been a performer in addition to magnet regarding scandal, and had been frequently observed in Berlin’s community places sporting nothing at all save a new sable coat plus a cocaine-packed sterling silver brooch, holding her monkey.
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For the duration of the Third Reich, the Nazis seized this portrait involving Anita Berber deeming this intriguing, but distressing, oeuvre “degenerate.” It had been many years afterwards following the world war that Dix had been lucky enough to take back this acrylic and tempura art work; he got it coming from a Munich fine art seller around 1963. museum banners For Sale
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